The incidental music Edvard Grieg composed for Henrik Ibsen's play Peer Gynt (1867) stands, along with his Holberg Suite and Piano Concerto, among his most universally popular orchestral works. By common consent, the music itself achieved far more for Ibsen's vast and bewildering dramatic poem than any mere stage performance alone could have done, and therein lies a problem. For as Ibsen's English biographer Michael Meyer writes, Grieg's music "turns the play into a jolly Hans Andersen fairy tale," one thing its author would certainly never have wished for. And the critic and playwright George Bernard Shaw, a fervent advocate of Ibsen's works, similarly concluded that in his music Grieg "could only catch a few superficial points in the play instead of getting to the very heart and brain of it." That may well be the case, but Grieg's Peer Gynt incidental music has nevertheless become a universal favorite, and it is not difficult to understand why.
Ibsen decided to adapt his verse drama for performance at the Christiana (Oslo) Theatre in 1874, recognizing that his sprawling five-act play would benefit greatly from the addition of a musical score.Grieg's music was first heard there in February 1876, but the initial production run was radically curtailed after fire destroyed the sets and costumes. The score, however, was enthusiastically received by the critics, and Grieg subsequently saw an opportunity to establish a separate identity for the music itself and drew from the more than two dozen numbers of the complete work two concert suites, Opp. 46 and 54. Conductors sometimes assemble ad hoc suites of their own as well.
The most popular numbers are "In the Hall of the Mountain King" (a textbook example of the dramatic potency of cumulative crescendo and accelerando, illustrating Grieg's fondness for Germanic orchestral effects), in which Peer Gynt bargains for his life after the assembled Trolls call for his blood, and the highly evocative "Morning Mood" with its lovely flute solo and expansive orchestral language -- the music depicts, incidentally, not a fresh Nordic sunrise, but rather a Saharan dawn in Act IV of Ibsen's drama! Other memorable moments include the fragile lyric utterances of "Solveig's Song," the beguiling "Anitra's Dance," the poignant "Death of Åse," "Peer Gynt's Homecoming: Stormy Evening at Sea," and his eventual "Shipwreck." As Anthony Burton writes, "the curtain falls as Peer's long and eventful journey finally comes to its end."
cd1
01. Prelude, Act I (Orchestra)
02. The Bridal Procession (Orchestra)
03. Folk Dance : Halling Dance (Solo Hardanger Violin)
04. Folk Dance : Springdar Dance (Solo Hardanger Violin)
05. Prelude Act II - Ingrid's Abduction And Lament (Orchestra)
06. Peer Gynt And The Mountain Girls (Orchestra And Chorus)
07. Peer Gynt And The Woman In Green (Orchestra)
08. By His Mount You Shall Judge Him (Orchestra)
09. In The Hall Of The Mountain King (Orchestra And Chorus)
10. Norwegian Dance No. 1 (Orchestra)
11. Norwegian Dance No. 2 (Orchestra)
12. Norwegian Dance No. 3 (Orchestra)
13. Dance Of The Moutain King's Daughter (Orchestra)
14. Peer Gynt Being Chased By Trolls (Orchestra And Chorus)
15. Scene With The Boyg (Orchestra And Chorus)
16. Prelude Act III - Deep In The Pine Forest (Orchestra)
17. Solveig's Song (Orchestra)
18. The Death Of Ase (Orchestra)
cd2
01. Prelude Act IV - Morning Mood (Orchestra)
02. The Thief And The Receiver (Baritone, Tenor And Orchestra)
03. Arabian Dance (Mezzo-Soprano, Chorus And Orchestra)
04. Anitra's Dance (Orchestra)
05. Peer Gynt's Serenade (Baritone And Orchestra)
06. Melodrama (Orchestra)
07. Solveig's Song (Soprano And Orchestra)
08. Prelude Act V - Peer Gynt's Homecoming (Orchestra)
09. Scene On The Upturned Boat (Orchestra)
10. Day Scene (Orchestra)
11. Solveig Singing In The Hut (Soprano Solo)
12. Night Scene (Chorus And Orchestra)
13. Churchgoers Singing On The Forest Path (Chorus Only)
14. Solveig's Lullaby (Soprano, Chorus And Orchestra)
Peer Gynt Being Chased By Trolls
bonjour , je voulais savoir si ces CDS sont à vendre et à quel prix, merci !
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